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Hair which grows on a person's face uniformly, around the lips, chin and cheeks, usually on men."Her face is beat for the gods." "Having Mathu Andersen beating your face." - Alaska, in American Apparel Ad Girls Beard The term references the motion of constantly dabbing a makeup sponge or brush against one's face. To apply the perfect amount of makeup on the face, resulting in a flawless look. "Please, I'm not going to be read by some busted ass bar queen." Beat A drag queen who only performs in small bars. The term was used by Alexis Mateo on Season 3 of RuPaul's Drag Race. An interjection or exclamation of excitement. The term was coined by Kelly Mantle on Season 6 of RuPaul's Drag Race, when panel judge Michelle Visage accused her of wearing bacon on her dress. When a drag queen wears flower petals which resemble strips of bacon. Jade Jolie: "Girl, you had rolls all over the place in the back, it was disgusting!" Alyssa Edwards: ". The term was used about Alyssa Edwards on Season 5 of RuPaul's Drag Race. A slang term for a mean or disagreeable person. See also: Phi Phi O'Hara‘s apology to Alyssa Edwards in All Stars 2 Ass The word was used by Widow Von'Du after Jackie Cox and Sherry Pie apologized to her after their argument in Untucked ”Well Julie, I just wrote “Anus!” - Alaska as Lady Bunny Apololie What Lady Bunny’s personal massager fell out of.the opening at the end of the alimentary canal through which solid waste matter leaves the body.I had crystallized, and now I'm a glamazon bitch ready for the runway." Anus So he had gutted me and set me on fire, but you know I didn't die. "After a long night of hookin', Trade didn't like the session. During the "Death Becomes Her" challenge, Kennedy had created a look that was read by queens and judges alike, compared to "Tony the Tiger on crack", and in an attempt to justify it, came up with an elaborate back story:
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A famous monologue coined by Season 7 contestant Kennedy Davenport.Oil on canvas.A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Walter Gay (1856–1937), Interior of the Artist's Apartment, undated.
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Across Photoarchive files, researchers can make their own connections among themes of portraiture and emptiness, and artists like Water Gay, Joseph Ducreux, and Goya and his followers. In Interior of the Artist’s Apartment, Ducreux stands in as the identifiable face to Walter Gay’s living room, and the directness of Ducreux’s portrait remains central to both pictures. Working in his own home, Gay sometimes included images of himself and Matilda, adding a more literal expression of portraiture to his work. Half-closed doors, wrinkled sheets, and cluttered arrangements of bibelots speak as much to the unseen occupants as they do to those qualities innate to a space itself. The portrait also complemented Walter Gay’s interior scenes, in which he imbues rooms with moods and personalities. It is also possible that the Goya-esque quality observed in 1949 references Matilda Gay’s appreciation of the Spanish temperament: in a diary entry, she describes an acquaintance who “looks just like a Goya, and has the fougueux quality of a man of that epoch.” The picture presumably appealed to the Gays’ love of eighteenth-century French art. It is not known when the Gays might have acquired this version of Ducreux’s painting, of which several replicas and copies are known to exist. Its twenty-first-century fame is due largely to a 2009 internet meme called “Archaic Rap,” in which images of Ducreux’s paintings captioned with slangy one-liners and Britishisms were widely tweeted and shared on Facebook. When Interior of the Artist’s Apartment was exhibited at the Wadsworth Athenaeum, Hartford, in 1949, five years before it was accessioned by the Pennsylvania Academy of the Fine Arts, the portrait was listed as “probably by Goya or one of his followers.” Today, it is recognized as a self-portrait by the French painter Joseph Ducreux (1735–1802). The portrait hangs above a bright blue settee and is surrounded by a cluster of five small landscapes. Prominently featured in this corner of the room is a large portrait of a man, grinning and pointing at the viewer. Interior of the Artist’s Apartment, made sometime after 1910 by the American painter and watercolorist Walter Gay, shows a narrow view of a sitting area in Walter and his wife Matilda’s Paris apartment at 11 Rue de l'Université, where the couple had moved in May 1909.